This CD review has been published on the following two websites. It is written by Byzantion and translated to Chinese by Paula Wong.
Fu-Tong Wong (b.1948).
- Symphony: The Hero with Great Eagle [63:35]
Voronezh State Symphony Orchestra, Mak Ka-lok.
Recorded: Symphony Hall, Voronezh, Russia, 26 January & 2 February 2004.
錄音地點: 佛羅尼斯交響樂團演奏廳。錄音時間: 2004年1月26日至2月2日
Wong1s Music & Culture WCD 002 [63:35] DDD + Bonus DVD. R+
黃鐘音樂文化有限公司出版 編號WCD 002 數位錄音，附贈DVD。強力推薦。
Released: February 2011.
This release contains probably the only symphony ever written to have been based on a kung fu novel! Fu-Tong Wong is a Cantonese composer currently living in Taiwan. Initially self-taught, he emigrated to New York in the 1970s to help in his brother1s noodle business, but was able to take a university degree in music from 1975. Since then he has published books on music theory and violin practice, taught and studied further, and written a fair amount of music, although even as late as 1990 he was still working in his brother1s concern.
This CD, on Wong1s own label, was originally released in 2004, and then again in 2009 on a disc paired with a recording of Wong1s Symphonic Poem of Shiau Feng. The CD is not widely available, but on emusic.com can be had for the fantastic bargain of well under £4.
The Hero with Great Eagle is based on a chivalric martial arts novel with the unlikely title of 1The Return of the Condor Heroes1, by Chinese author Louis Cha (b.1924), who writes under the pseudonym of Jin Yong, and who is reportedly the best-selling living Chinese novelist. The Symphony took Wong 28 years to complete, a feat of amazing dedication, but for listeners it is worth the wait. The eight movements, which have both a traditional, primarily implicative Western-style title and a more poetic description, are as follows:
I. Prelude - A Rebellious Departure from the Monastery
II. Waltz - The Ancient Tomb Master and her Disciple
III. Variations - When a Man May be Called a Hero
IV. Adagio - The Greatest of Sorrows
V. Rondo - Practising Swordsmanship in the Billows of the Sea
VI. Fugue - What in Fact is Love
VII. Dance - Birthday Gifts Brought Forth by the Heroes
VIII. Fantasy - Reunion in the Valley
四、 慢 板、黯然銷魂
七、 舞 曲、群英賀壽
As the list suggests, each movement has a distinctive character, both formally and programmatically, but there is a pervasive mood of optimism throughout the work, with the exception of the Adagio, which is a beautiful elegy for strings. Surprisingly perhaps, the symphony has a very Western, at times almost neo-Classical feel - the light-handed orchestration is inventive without recourse to exotic instruments. It is not until the seventh movement that the music takes an obviously Chinese turn, when the galaxy of heroes turns up, as it were, but even here, the impression - agreeable, nonetheless - is of a Western composer adding ethnic colour.
Pick of the movements besides the Adagio are the Variations, epic in character, and the high-seas drama of the Rondo, but in truth there is not a dull moment for the listener, who is swept along with the flow of Wong1s lovely music, which culminates in the lush final Fantasy.
There is a definite film score quality about the work in places, particularly the Prelude and Rondo. This is quite apposite, given that Jin Yong1s story has been adapted on no less than ten occasions for both big and small screen in the Far East. The unremitting succession of seamlessly incorporated melodic ideas, narrative interest and timbral imagination brings to mind the scores of Malcolm Arnold or William Alwyn, or, from an earlier age, Rimsky-Korsakov.
此曲很多地方都很有畫面感。尤其是第一樂章「反出道觀」與第四樂章「海濤練劍」。考慮到金庸的武俠故事在東方曾被拍成無數電影電視片，如此作曲應很貼切。作品源源不絕的樂思、無窮無盡的情節與音色變化，令人聯想到Malcolm Arnold 與 William Alwyn 的作品，或是更早期的里姆斯基．科薩科夫。
Sound quality is good, although there is a slight lack of definition to the strings in tutti sections - most noticeable in the strings-only Adagio movement. The Voronezh State Symphony Orchestra, despite its low profile, is one of Russia1s oldest, with an impressive history of associations. It performs Wong1s music capably and respectfully, and is well guided by Mak Ka-lok.
The CD booklet is informative - but only for those who read Chinese! The English-language notes are restricted to two or three paragraphs, but yield just about enough information to satisfy. The CD comes with a bonus DVD, although its attraction is mitigated by the fact that it is in Chinese only. Nevertheless, it does offer the opportunity to see the orchestra rehearsing and later playing some of this symphony, and a happy-looking Wong in interview.
reviews.gramma.co.uk, May 2011